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(501) The Lover's Knot | |||
| This pattern is found carved in stone at Meigle in Perthshire, Scotland. It is created from one continuous line, which represents eternity, fidelity, and unity to a thought, person or idea. The inner pattern consists of four triquetras, each triquetra represents one of the four seasons. A triquetra represents the three forces of nature: earth, air and water. The symbol was later used by the Christians to symbolize the holy Trinity which made it easier to integrate Christian and pagan beliefs. The circle which encompasses the pattern symbolizes the sun, also worshiped by the druids. (Item No. 501) | ||||
| Price | ||||
| $110.50 | Buy Me | |||
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(502) The Iona Knot | |||
| This symbol indicates achieving peace within oneself. The pattern is often used as a talisman, created by one continuous line forming four three-part triquetras which represent eternity, fidelity, and unity to a thought, person or idea. The triquetra was used by the druids to indicate the three forces of nature: earth, air and water. Each triquetra indicates one of the four seasons. It was later used by the Christians in the form of a cross, to symbolize the Holy Trinity. This made it easier to integrate Christian and pagan beliefs. (Item No. 502) | ||||
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| $110.50 | Buy Me | |||
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(504) Donough's Keep | |||
| This motif is found in borders or arch ways. Therefore, it is considered a protective or supportive symbol. The pattern has arrows pointing outward indicating outer growth and an inner design indicating stability and protection . This would be considered both a guard against outside forces and a source of inner peace. This pattern is created using one continuous line, which mirrored upon itself on axis, is a protectorant above & below, to the left and to the right. (Item No. 504) | ||||
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(506) The Knotted Cross | |||
| This very intricate pattern is similar to examples found on the Bealin Cross. This pattern is created by using one continuous line in four quadrants. This pattern is made using numbers with common factors. This numerology indicates the idea of pure or supreme thoughts. This pattern viewed from a distance forms a cross in its centre and can be worn as a protective symbol. (Item No. 506) | ||||
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(507) The Briar Rose | |||
| Although taken from the High Cross at Kilfenora ,Co. Clare , this pattern is rare in Ireland , but can be found in Scotland , Wales , Cornwall and Devon , it is formed by one line symbolising continuity as a protection from evil . The four Quadrants point towards the centre, focusing energy towards the soul and a sense of spiritual growth and well being . (Item No. 507) | ||||
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(508) The Restan | |||
| As in Donough's Keep, this design is found in borders or arch ways. It is considered a protective or supportive symbol. A Symbol of letting go or grow from within . This pattern has arrows pointing outward indicating outer growth, and the inward for spiritual growth the design is left empty to be filled with an individual talisman or birth stone . This would be considered both a guard against outside forces and a source of inner peace. The outer pattern is created using one continuous line as a fort or protectorant outside of a family , in peace or war , providing protectorance above and below, from the left and to the right. (Item No. 508) | ||||
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(601) The Three Horses | |||
| Reproduced by George Bain, this pattern is symbolic of power. Taken from pictish artwork, it owes its origin to the qualities of knighthood and those that rode or possessed horses, with hopefully good intentions, whom ever pray with the spirit to conquer their goal. (Item No. 601) | ||||
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(603) The Occian (Wizard of Change) | |||
| The arrows pointing both inward and outward depict the forces of love in all relationships. This can also be thought of as the interchanging of thoughts and ideas between people or a oneness with the world. This emblem can also be thought of as a cleansing symbol, and a protectorant from evil. (Item No. 603) | ||||
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(604) Two Spirals | |||
| Taken from pictish art, and dating back more than three thousand years, this pattern is equivalent to the balance of above and below, the real and mystical worlds united, and has similarities to the yin and yang. The Bonding of Two Souls , often given in friendship or love , it is a balance and bonding symbol . (Item No. 604) | ||||
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(605) Three Spirals | |||
| This is taken from an earlier Neolithic design, this pattern re- occurs in the 8th Century using the triskele (the heart, the soul and the mind) echoing the patterns used in the Neolithic tombs outside New Grange in 5000BC, and even dating to pre-celtic times, and held in between the later forms of the triquetra , it evokes a protectorant from Mother Earth , earth , air and water. Or Triple Goddess . Held within a circle ,a Very powerful bonding symbol of completeness . (Item No. 605) | ||||
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(606) Seven Spirals | |||
| This Pattern has it's roots based in Neolithic times ( 3000 BC ), it is formed from a basic Triskell ( Triple Goddess ) or Trinity Symbol in it's centre-reaching out to the three more Triskells each Echoing the power of the Trinity and each of these join in unison by a set of two ( The Symbol of Unity or balance ) much liken too the "Yin Yang Symbol , surrounded by a circle a symbol of continuity . strangely if you were to join the sets of two and then the sets of three it forms the Star of David with the Triple Goddess ( or Mother Earth Symbol ) held n it's center . The Triskell or Trinity pattern is found in many cultures used as a symbol for protection from Evil ( Heart , Soul and Mind ) The Outer circle denotes Continuity. (Item No. 606) | ||||
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(610) The Three Lions | |||
| Taken from the 6th-8th Century manuscript the Book of Kells. This symbol for St. Mark (who stressed Christ's power and royalty) and symbolises a protectorant from evil. This is a symbol of transcendence and release, knowledge of life and letting go, the ability to rise above, and to survive the pressures of everyday life. This zoomorphic design denotes strength and loyalty. (Item No. 610) | ||||
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(612) The Caithlin Cross | |||
| This equal sided cross is often found on the top of High Crosses in Ireland , Scotland or Wales was probably the first type of cross worn by the converted Christians in Ireland also known as a Scottish cross , it has four triquetras set within a circle, as protectorants from evil , north, south, east and west, each quadrant evoking the power of the trinity. The circle symbolizes the Sun , or son , continuity and spiritual growth . (Item No. 612) | ||||
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(613) The Clare Pattern | |||
| I dedicate this pattern to the Irish People from Co. Clare who left from Cork in Ireland to America headed for America and a " better life", during the famine around 1845 . The balance of heart and soul that help build this country. Two lines intertwined as spirit and as friendship grows , the outer circle for continuity and protection , with the centre as the power of the soul. A birth stone can be added to its center . (Item No. 613) | ||||
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(630) Hares and Moons | |||
| This pattern was brought to me from a book of fairy dreams (I found the fable to be quite fascinating.) The Celts in Ireland believed not in the man in the moon but the "Hare in the Moon. Notice how the ears join from a triskelle, a symbol of the triple goddess or Mother Earth with the three crescent moons floating in the heavens. The Hare was thought of a symbol of good fortune and fertility. (Item No. 630) | ||||
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(702) The Rosaleen | |||
| This pattern consists of intertwining hearts, the points of the hearts making a star in the center. The hearts promote a sense of inner peace and act as a talisman. Overall the pattern ensures strong relationships while encouraging spiritual growth. The pattern is found on the south cross at Clonmacnoise, Co. Offaly. Clonmacnoise has been a spiritual center in Ireland for centuries. This pattern can also be found in manuscripts such as the Book of Kells. (Item No. 702) | ||||
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(703) The Duleek Knot | |||
| From the south cross at Duleek, Co. Meath. Duleek is set in a spiritual glen linked to pagan times. This symbol is found in many old druid patterns. The circle which encompasses the pattern is a symbol for completeness and also represents the sun, which was an object of worship. The inner pattern consists of four triquetras. Each triquetra represents the forces of nature: earth, air and water as interpreted through each of the four seasons. The inner pattern can also be seen as a cross, thus symbolizing the integration of Christian and druid beliefs. This piece represents unity and continuous strength. (Item No. 703) | ||||
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(801) The Bealin Knot | |||
| Related strongly to the Star of Eire, the bealin knot is split into two bands the inner pattern intertwines through loops formed by the other forming a cross. It is seen many times in the Book of Kells, especially on some of the pages of the Eusebian Canons and in stone on the north cross at Clonmacnoise, Co. Offally & the Termonfechin Cross. As in the Rosaleen, the pattern ensures strong relationships while encouraging spiritual growth. The bealin can also be used as a directional symbol and for protection. The continuous band represents eternity, fidelity and unity to a thought, person or idea and can be seen as a cross in its center. (Item No. 801) | ||||
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(803) The Two Swans | |||
| Depicted in the 8th to 10th century Book of Kells, the two swans are animals that mate for life. They show the unity between two people as a circle; a never ending bond that transcends all. Two as in one mind, thought and understanding. A pledge never broken. Because this zoomorphic design is so complex it shows better in larger sizes and is available in the 11/2 and 13/4 sizes only. I have made this pattern in a smaller size , but the complexity of the pattern makes it had to read . (Item No. 803) | ||||
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(804) The Tullylease | |||
| From a slab at Tullylease. This design of spirals unites in a central coil of North, South, East, and West , invoking the protection of the trinity in each quadrant; to guard, hold, and cherish from each set of three facing North, South, East and West forms a hidden cross, reflected and found in its center. A Symbol not only of protection but for strength from within . (Item No. 804) | ||||
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(806) The Bearded Men | |||
| Found in the Book of Kells from the 8th to 10th century. This design, of the three wise men who sought truth, charity, and love. Their wisdom we all seek as simple disciples of humanity. The Greatest of All is Charity . Wear this in understanding of being human. Similar Anthropomorphic designs in metal date back to a period of culture to the city of Ur.to 3000 BC . (Item No. 806) | ||||
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(807) Bridget's Moon | |||
| This pattern, named after Ireland's most celebrated Abbotress Bridget or female saint , but Bridge or Bridget also affiliated to the triple goddess dates to before Christian times , this pattern I first found carved in the Shandwick Stone (Scotland ) , but was later used in the 6th - 8th Century manuscript, the Book of Kells. The pattern is one line forming four quadrants as protectorants, protecting North, South, East and West and is surrounded by a circle symbolic of the sun or the circle of life , the circle surrounding represents continuity. (Item No. 807) | ||||
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(808) St. Michael's Sun | |||
| Taken from the slab of Beretchert at Tullylease. This eight pointed or double cross pattern of two lines intertwined is a more complex form of the Bealin Cross. The center, holding the sun from which all life comes, to the outer circle for continuity , the inner pattern which is held as a protectorant. The pattern formed from two lines closely intertwined, a bind held in unison, a marriage of heart and mind. This can be set with a birth stone in the center . For Earrings that match see the Clare Pattern . (Item No. 808) | ||||
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(809) The Tynan Bands | |||
| Taken from the cross at Tynan abbey Co. Armagh This is a knot formed of four oval bands interlaced by a fifth band tying all together. The four seasons held throughout the year this is a mother earth symbol. One of grounding to the earth, stability and progress from a held point. Turning the pattern 45 degrees it becomes an interlaced or complex cross, also used to protect from evil. (Item No. 809) | ||||
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(901) The O'Carrolans's Knot | |||
| This pattern named for the famous celtic harper is taken from the decorative illumination of the 6 th. to 8 th. century manuscript the " Book of Kells . It is formed from one line unsymmetrical but strangely balanced. It was often believed that patterns with lines that have no end i.e. one continuous line would represent eternity, fidelity and unity to protect from evil. (Item No. 901) | ||||
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(902) Britford Knot | |||
| Taken from a carved stone at Britford near Salisbury. This pattern is constructed from two lines, when studied closely two patterns emerge similar to the Star of Eire and the Iona Knot. The star a directional symbol is used for protection and spiritual growth and using the four quadrants in the form of a cross and was later used by the Knights Templer. (Item No. 902) | ||||
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(903) The Four Hearts | |||
| Taken from the Bore stone of Gask, in Perthshire. This complex, pictish pattern, shows four hearts. Balanced North, South, East, and West forming a cross this would have been thought of as a symbol to protect love from evil. It is composed of two separate lines interwoven holding love throughout the seasons of life. (Item No. 903) | ||||
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(904) The Eassie Knot | |||
| Taken from a stone at Eassie, in Perthshire this pattern is an elongated adaptation of the 507 the Briar Rose found in Co. Clare (see the Briar Rose description at the top of page two) This particular design is available as a belt buckle, and a 13/4 inch brooch. (Item No. 904) | ||||
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(905) The Antrim Knot | |||
| Taken from an ancient slab in Northern Ireland this pictish knot, also found in the Kells and Lindisfarne manuscripts is composed of one line, it forms a anti clockwise pattern symmetrically balanced North to South, East to West. Forming a cross to protect from evil interwoven from one line which represents a eternity, fidelity, and unity to a thought, person, or idea. Also shown in Celtic Art and Methods of Construction by George Bain, a good source of reference for the Celtic artist. (Item No. 905) | ||||
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